10. Genoa: Man Ray Opere 1912-1975 Exhibition at Doge's Palace
The exhibition “Man Ray. Opere 1912 - 1975” pays tribute to the work of the great master Emmanuel Radnitzky, aka Man Ray, one of the greatest photographers of the last century and also a highly original painter, sculptor, avant-garde filmmaker and graphic designer.
The exhibition is a journey into the "pleasure of the imagination", as the artist was wont to say, which began with a series of self-portraits and portraits, in which you can already see a sense of the body that was to be central to his entire artistic output; a sense of the body which, in the early years of the period he spent in America, was developed in particular through drawing (Nude, 1912), collage (Revolving Doors, 1916-1917) and sculpture (New York, 1920; the two versions of By itself from 1918).
Highlights on his relationship with Marcel Duchamp, a great guide, advisor and continuous source of inspiration as Man Ray's imagination took shape during the years of his artistic development. This relationship notably helped the artist focus his attention on objects and the endless possible metamorphoses they could undergo.
An incessant desire to experiment, break the mould and create new aesthetics combined with a pragmatic and almost artisanal approach to the languages of art are distinctive features and traits that inspired and informed the artist's poetics throughout his career. In his autobiography Man Ray himself talks about his great "enthusiasm over every new direction taken by my imagination as, drawing on a sense of contradiction, I planned new ventures into the unknown". Taking its cue from these principles, the exhibition is divided into various sections chronologically retracing the artist's career from its beginnings in the American countryside to his later work in 1920s New York. He later ventured into the realm of photography and reached the height of his artistry in Paris during the two decades preceding the Second World War, finally spending the last years of his career and life travelling between the United States and Paris.
A journey into the "pleasure of the imagination", as the artist was wont to say, which began with a series of self-portraits and portraits, in which you can already see a sense of the body that was to be central to his entire artistic output; a sense of the body which, in the early years of the period he spent in America, was developed in particular through drawing. Equally important was his relationship with Marcel Duchamp, a great guide, advisor and continuous source of inspiration as Man Ray's imagination took shape during the years of his artistic development. This relationship notably helped the artist focus his attention on objects and the endless possible metamorphoses they could undergo. Works such as La tonsure and élevage de poussiére are just two of the most successful products of this friendship and creative partnership that would continue in the French capital over the following decades.