Uncomfortable Oxford’s “Hidden Histories” tour engages with overlooked narratives and celebrates the stories of women and queer people working and studying within Oxford’s culture of traditional masculinity. The tour group meets at the Radcliffe Humanities Square and begins with an analysis of the public space, and especially of its overwhelmingly male representations. For instance, the famous Radcliffe Camera and the Radcliffe Humanities building are named for John Radcliffe, whose estate paid for the construction of several pieces of architecture in Oxford, although countless others contributed to the history of these buildings. Radcliffe Humanities originally served as the Radcliffe Infirmary, where nurse Thora Silverthorne trained and worked in the early 20th century, while also participating in activism that would later lead to the formation of the NHS. Today the NHS is a point of pride for Britain, but it rarely recognizes the contributions of nurses to the organisation, while COVID-19 has made the job more stressful and demanding. Another example of erasure is presented through the example of Oxford's Somerville College, founded in 1879 as one of Oxford University’s first women’s colleges, the other being Lady Margaret Hall. However, women still faced sexism and racism as students at the university and those who were able to attend often came from wealthy backgrounds. One of these women is Catherine Duleep Singh, the daughter of the last Maharaja of the Sikh Empire and the goddaughter of Queen Victoria, who was also an openly queer women throughout her life and career. As the tour unfolds, participants will question the intersecting challenges faced by many people in Oxford's gendered and classist space. At the same time, the discussion will celebrate the opportunities that individuals managed to create in spite of these limits, from individual success to wider group visibility and representation in the present. The tour will end at St Mary's Church on Radcliffe Square, on a debate between real and idealised representations of women in the city.